Friday night will be the Decatur Social Club 2010 Reunion event; and the excitement level for those who partook in DSC over the years is nearing climax. For those who don’t know what exactly DSC was (or is); it’s hard to describe it as a place or event or club. Because while it was those [...]

I have been struggling for the last several weeks to write worthwhile original content. Finally, I break through with a new editorial with thoughts on Ken Griffey, Jr., the imperfect, perfect game, journalists, the Atlanta music scene and this little Web site.

Instant Album Review: The National – High Violet (May 11, 2010) Once many bands hit their third album, the quality of their work tends to decline precipitately. A band may spend years crafting songs for their first album, but two albums later, the rigors of touring, maintaining creative cohesiveness and lack artist inspiration leaves them [...]

By MLB banning the use of Twitter by baseball beat writers for anything but baseball topics – and scolding players for any use of Twitter – baseball has proved themselves to be Luddites.

There has been a tremendous amount of discourse regarding the sub-genre of music that hopped onto the underground/blog music scene early Fall 2009. Dubbed “Chillwave” by one of the larger music blogs, it’s the new “it” music of the uber-hipster. I was asked last week by a local musician to explain what Chillwave was, exactly. [...]

I believe in science. I love science. My outlook on life is based, in large part, on science. But not in the way you think.

1993: The year that forms the hazy, golden memory that I will forever look back on fondly. Good and bad, the music of that summer is a huge part of the reason why.

In this editorial, I outline seven step to bring excitement back to baseball. From adding a new League to an All-Star Game draft, my ideas may be a shock to traditional baseball fans everywhere.

In this exclusive interview with Adam Kittredge and Antonia Freybe-Smith of Jets Overhead, Kittredge and Freybe-Smith discuss performing at the Winter Olympic, how they are able to connect to an audience even at festivals, the evolution of the songs on their most recent album, who showed them the ropes early in their career and much more.

Whether the forgotten ’90s? Now that we are a generation removed from the time-frame, it seems that most music-heads, journalists and fans seem to focus on Grunge, Brit-Pop or Indie/College Rock of the era. But why does no one remember (or play) the other great music from that time-frame?